Wenny Teo (张温惠) received a BA in History of Art and English Literature from the University of York (2003), and a MA (2004) and PhD (2011) in History of Art from University College London. Her doctoral thesis, ‘One World, One Dream: Contemporary Chinese Art and Spectacle’, supervised by Professor Briony Fer, examined the highly ambivalent relationship between contemporary Chinese art and spectacle from China’s ‘open door’ reforms in 1978 to the historical watershed of the 2008 Olympic Games in Beijing. Her research currently centers on socially engaged and participatory East and Southeast Asian art, subversive practices, geopolitics, language art and online visual culture.
Prior to joining The Courtauld as the Manuela and Iwan Wirth Lecturer in Modern and Contemporary Asian Art in 2012, she worked as a curator at the Museum of Contemporary Art, Shanghai, and as curatorial assistant at Tate Modern. In 2014, she was an associate curator of We Have Never Participated: The 8th Shenzhen Sculpture Bienniale and in 2016 she co-curated, A Beautiful Disorder: Contemporary Chinese Art at the Cass Sculpture Foundation in Chichester, UK.